
Despie the rather abrupt splices in the opening, side one starts out promising, with familiar-sounding bits about neighborhood girls, the hillbilly calling cadence, and his father with the X-ray vision. But when it gets to the title track, the speed of the tape mastering is way out of hand, and too fast-sounding (wasn't someone monitioring this?). The same thing happens with the closer, "Boobs", a rather experimental courtroom-drama bit.
Sandwiched between those two is a great bit about watching dogs get stuck end-to-end, and watching circus elephants "letting it all hang out". Following that is a bit of a guy who needs to go to the pay-toilet, but doesn't have a nickel, and trying to beg one from a kid, and then the kid's dad, but then it's too late!!!
Side two sounds like it's pretty much from one set, but very muffled-sounding all the way through. There's no energy in any of the bits, which seem to not go anywhere, save for the last bit (shades of Lenny Bruce), about a jealous guy interrogating his wife about a mysterious book of matches, the toilet seat being left up, and at the end tells her that she can leave if she doesn't like it: "Wait, where are you going? You can't leave!". Cuts abruptly to audience clapping, and a fast fade-out.
I seem to remember reading somewhere that this album won the Grammy that year for Best Comedy Album. I really don't see how!
No comments:
Post a Comment